Skip to content
ATLAS | BACH

ATLAS | BACH

  • ATLAS
  • EXCERPTS
  • REVIEWS
  • NEWS
  • OTHER
    • About
    • Imprintable (archive)
    • Discography
    • MPRNTBL
    • Mminor
    • SCSE
    • qqq
    • Slow Sound
    • Double Blind
    • Intense Situations of Peril
Posted on October 23, 2011February 5, 2012 by glenncbach

Two poems in Pom-Pom-Pomeranian

162 and 298 from Atlas Peripatetic forthcoming in Pom-Pom-Pomeranian (Bank Heavy Press), Winter 2012.

Share this:

  • Twitter
  • Facebook

Like this:

Like Loading...

Related

Categoriespoetry, publications TagsAtlas Peripatetic, Bank Heavy Press, poetry

Post navigation

Previous PostPrevious SCSE at Soundwalk 2011
Next PostNext Seth Warren-Crow: 7 Circular Gestures on MPRNTBL
Follow ATLAS | BACH on WordPress.com

Categories

  • academic
  • archived performances
  • Atlas
  • collaborations
  • compilations
  • conference
  • curatorial
  • discography
  • editor
  • ensembles
  • exhibitions
  • group performances
  • Imprintable
  • Imprintable Interviews
  • installation
  • interview
  • lectures
  • mention
  • MPRNTBL
  • panel discussion
  • poetry
  • presentation
  • press
  • profile
  • publications
  • radio performance
  • radio play
  • readings
  • recording session
  • review
  • solo performance
  • sound
  • sound for dance
  • sound for performance art
  • sound for silent film
  • teaching
  • tour
  • Uncategorized
  • visual
  • walking
  • walking tour
  • webcast
  • workshop

Archives

  • March 2020
  • February 2020
  • April 2019
  • March 2019
  • February 2019
  • January 2019
  • August 2018
  • July 2018
  • May 2018
  • March 2018
  • January 2018
  • November 2017
  • October 2017
  • September 2017
  • July 2017
  • April 2017
  • February 2017
  • September 2016
  • June 2016
  • April 2016
  • December 2015
  • October 2015
  • September 2015
  • August 2015
  • June 2015
  • December 2014
  • September 2014
  • August 2014
  • July 2014
  • June 2014
  • May 2014
  • March 2014
  • February 2014
  • January 2014
  • November 2013
  • October 2013
  • July 2013
  • June 2013
  • March 2013
  • February 2013
  • January 2013
  • December 2012
  • November 2012
  • October 2012
  • September 2012
  • August 2012
  • July 2012
  • June 2012
  • May 2012
  • April 2012
  • March 2012
  • February 2012
  • January 2012
  • December 2011
  • November 2011
  • October 2011
  • August 2011
  • July 2011
  • May 2011
  • April 2011
  • March 2011
  • February 2011
  • January 2011
  • November 2010
  • October 2010
  • September 2010
  • July 2010
  • June 2010
  • May 2010
  • April 2010
  • March 2010
  • January 2010
  • November 2009
  • September 2009
  • August 2009
  • July 2009
  • June 2009
  • May 2009
  • April 2009
  • March 2009
  • February 2009
  • January 2009
  • November 2008
  • October 2008
  • September 2008
  • July 2008
  • June 2008
  • April 2008
  • February 2008
  • January 2008
  • December 2007
  • November 2007
  • October 2007
  • August 2007
  • July 2007
  • June 2007
  • May 2007
  • March 2007
  • February 2007
  • January 2007
  • November 2006
  • October 2006
  • September 2006
  • August 2006
  • July 2006
  • June 2006
  • May 2006
  • April 2006
  • March 2006
  • September 2005
  • August 2005
  • July 2005
  • June 2005
  • April 2005
  • March 2005
  • November 2004
  • August 2004
  • July 2004
  • June 2004
  • April 2004
  • March 2004
  • January 2004
  • August 2003
  • July 2003
  • June 2003
  • May 2003
  • April 2003
  • February 2003
  • January 2003
  • October 2002
  • September 2002
  • June 2000
  • October 1996
  • March 1990
  • October 1989

Tags

  • 3rd Thursday
  • 21 Grand
  • Aaron Ximm
  • acoustic ecology
  • Alan Nakagawa
  • Angels Gate Cultural Center
  • Atlas
  • Atlas Brumal
  • Atlas Peripatetic
  • Atlas Place
  • Atlas Sets
  • Bob Bellerue
  • Chicago
  • Chris Schlarb
  • CSULB
  • CSULB Art Department
  • Culver City
  • Dispersal Patterns
  • Dome Room
  • Double Blind
  • Dust Unsettled
  • Ear Meal
  • East Village
  • Entr'acte
  • feedback
  • field recordings
  • Giant Ear)))
  • Imprintable
  • ISOP
  • Jane Sprague
  • Jeffrey Roden
  • John De Heras
  • John Kannenberg
  • Kenilworth
  • Long Beach
  • Los Angeles
  • Marcos Fernandes
  • Mar Vista
  • Mem1
  • MiLO
  • Milwaukee
  • Milwaukee Phonography
  • Mminor
  • MPRNTBL
  • Newport Beach
  • NYC
  • OCMA
  • Peck School of the Arts
  • Philip Mantione
  • place
  • poetry
  • qqq
  • Quiet
  • Radia
  • Resonance FM
  • San Francisco
  • San Pedro
  • SASSAS
  • SCSE
  • Seth Warren-Crow
  • Slow Sound
  • smgsap
  • socalsonic
  • sound art
  • Soundwalk
  • Spastic Colon
  • Stasisfield
  • Steuart Liebig
  • Steve Roden
  • Ted Byrnes
  • Tom Krumpak
  • Torreyana
  • UWM
  • Wounded Speaker
  • {open}
Blog at WordPress.com.
%d bloggers like this: